Academy Awards nominee: A Serious Man
Nominated for: best film; best original screenplay, Joel and Ethan Coen
After No Country for Old Men won four Oscars in 2007, Joel and Ethan Coen return with their most personal work yet, setting the film in a Jewish-American suburb in 1960s Minnesota, similar to the one where the brothers grew up and marked their bar mitzvahs.
Michael Stuhlbarg plays Larry Gopnik, a put-upon, mild-mannered physics professor, whose many problems include a crumbling marriage, a live-in deadbeat brother, a pothead son and self-involved daughter. "Larry Gopnik just might be the most out-and-out normal person ever to be put at the centre of a Coen brothers film," said Ethan Coen.
WHAT THE CRITICS SAID:Andrew Pulver, the Guardian: "What pushes [A Serious Man] into the Coen premier league is the sense that, as with Fargo, there's something very personal going on here... The Coens, so normally elusive, have let the mask slip a bit. It's paid wonderful dividends." (Verdict: five stars out of five).
Todd McCarthy, Variety: "One doesn't know how (auto)biographical any or all of this is, but there's a tartness to the telling of what amounts to a well-shaped series of anecdotes that bespeaks distant pain or, at least, wincing memory twisted into mordant comedy by time and sensibility."
Kenneth Turan, Los Angeles Times: "His mountain of woes notwithstanding, Larry Gopnik just might be the most out-and-out normal person ever to be put at the centre of a Coen brothers film, and his everyman status helps explain one of the film's apparent paradoxes: its ability to be both intensely Jewish and speak to everyone."
Ben Walters, Time Out: "The Coens nod at some familiar stylistic tropes: florid swearing, sexual euphemism, crusty, aged characters, but the film's potency is rooted in quiet precision and detailed realisation." (Verdict: five stars out of five).
Kevin Maher, the Times: "That the film refuses to supply any answers is not a sign of weakness, but rather an acknowledgement that the Coens, despite being two of the finest film-makers working in cinema today, are not God." (Verdict: four stars out of five). ·














