Media monkey business in the search for readers

Neil Clark: Why editors are seeking to raise readers’ blood pressure

BY Neil Clark LAST UPDATED AT 07:07 ON Wed 28 Oct 2009

What was your reaction on reading AA Gill's Sunday Times column in which he boasted about killing a baboon because he wanted to find out "what does it really feel like to shoot someone, or someone's close relative"?

The hope that a 'close relative' of the dead baboon would one day kill AA Gill?
 
That was mine too.
 
Baboons are, as Guy Norton, a wildlife expert, told the Guardian, "sentient and feeling animals who display similar characteristics to humans with strong parental bonds and sociable group behaviour". Yet here's a Sunday Times columnist boasting about how he shot one.
 
Gill's obnoxious piece is only the latest in a run of articles in Britain's newspapers whose sole aim seems to be to shock as many readers as possible.
 
Earlier this month, Jan Moir's Daily Mail article on the death of pop star Stephen Gately, in which she seemed to imply that his sudden death from a heart attack was caused by his homosexuality, led to a record number of calls to the Press Complaints Commission.
 
While in yesterday's Guardian, Tanya Gold dances on the grave of another recently deceased pop star, Michael Jackson, claiming he was only a "good" dancer, whose "greatest passion" was not music, or dancing, but "to sleep with children".

Gold's "greatest passion" appears to be attacking much-loved figures who are conveniently dead. In September, on the flimsiest of evidence, she tried to portray the late Queen Mother as a "cruel" Nazi-sympathising racist snob. (She's also attacked the Pope in a recent article - no doubt Mahatma Gandhi is next in the line of fire).
 
Why are we getting more and more of these deliberately offensive columns?
 
The answer is that the newspaper industry is in dire straits and in order to boost falling sales and get clicks on their websites editors are running articles that would have been spiked five or 10 years ago.

As a commenter to the Guardian website wrote in relation to Gold's Michael Jackson article: "Columnists and editors use one standard: the column is good if it generates comments, responses and controversy. This is deemed to be the only benchmark that matters."
 
Of course, newspapers have always chased readers. But today, with the very future of print journalism under threat, there is an increased urgency to grab readers' attention. And that means out with mature, reflective and nuanced articles which deal with important issues, and in with gratuitously offensive columns which set out to raise readers' blood pressure. The number of complaints or hostile comments a piece generates doesn't matter - the main thing is that the article, and the newspaper in question, receives the maximum publicity.
 
Journalism is following the path of British comedy where being shocking is deemed more important than making people laugh. Think of Jimmy Carr's latest crack on amputee soldiers, the obscenities of Jonathan Ross and Russell Brand on Radio Two and the episode of the IT Crowd which featured cannibalism.
 
So far we haven't had a journalist write of his/her experiences of eating human flesh. Or a columnist talking about his/her necrophilia or passion for sexual intercourse with animals.
 
But the way things are going, it won't be too long. · 

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Comments

Only today I sent an email to the New York Post reminding them of their rabid support for the Iraq war and wondering why they allowed Dick Cheyeney to get away with so many corrupt practices, while causing a storm in a teacup over the acceptance by the New York State governor of two base ball match tickets. Yes, many of of us see the writing on the wall for print journalism, which has failed and continues to fail miserably in the job one expects of them. And incidentally, AA Gill is a most despicable person with a lot of hangups. A look into his background will show why.

Getting readers worked up and angry is the entire business model of Associated Newspapers and has been since before they even started supporting Hitler. Which is to say there is nothing new going on here. But unlike Jimmy Carr, or Franky Boyle for that matter, none of this anger journalism is particularly funny.

Another problem is so few people seem able to discriminate. I'm sure the thesis that journalists are encouraged to inflame readers to boost the visibility of their rag is correct, but adding Jimmy Carr's joke on a TV show doesn't fit with this at all; as Carr has explained, his comedy has always set out to shock [so people know what to expect]., and that the crack about amputee soldiers [that the para-olympics were going to get a boost] was heard from a serving soldier while he was entertaining the troops; the military have always dealt with the horrors of fighting and dying with graveyard humour. To link this with the execrable Ross-Brand picking on an ageing actor's grandaughter on air is to miss the point.

It seems that 'print journalism' is on the way out! When it comes to reporting the news, your menu includes video podcasts, radio podcasts and almost instantaneous written articles by people other than those 'classically trained in the art of journalism.'
Along with the decline and certain demise of 'print journalism,' you will soon see the decline and death of 'schools of journalism.'
A writer is a writer is a writer! What does going to journalism school instill in writers other than a sense of ethics and a certain objectivity which should be inherent in the person before they enter whichever school of journalism they choose to matriculate at?
We are seeing the face of news reporting change on an almost daily basis, and independent journalists like Jeremy Scahill, crop up with every new sunshine. The establishment, must become as flexible as the writers who write about it, if they don't then what you will have is an ideal, with established organizations like Rupert Murdoch's Faux News here in the States. Fox News is nothing more than an organ, or as you will mouthpiece for the Republican Party of our political system. Not journalistic in any fashion, but a one-of-a-kind, talking-points-memo spouting piece of propaganda machinery that makes it a point to never have anyone of the loyal opposition who is articulate and well-read who can counter the arguments of whichever host is screaming at whichever patsy(guest) is appearing on whichever screaming program is on the telly at that point.

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