Fendi's Return to Rome

How the fashion house is restoring the city’s Dolce Vita spirit

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If you live or work in London, you may not be surprised by the sight of two tall trees made of bronze cradling an 11-ton marble block, the latest work by leading Italian sculptor Giuseppe Penone, which now stands outside Fendi’s flagship boutique in central Rome. Londoners, like New Yorkers and Parisians are accustomed to seeing public artworks of epic proportions:in May, Jeff Koons unveiled a 45ft-tall inflatable sculpture of a ballerina close to the Rockefeller Center; in London, we have Trafalgar Square’s famous fourth plinth, which early next year will support a giant winged bull by Iraqi-American artist Michael Rakowitz. Paris’ Louvre Pyramid was recently made to 'disappear' thanks to giant trompe l’oeil panelling created by French street artist and photographer JR.

In Rome, by contrast, public art funding is often a thorny issue, greeted with reticence by the authorities; there are numerous hoops to jump through in a city already struggling to preserve its heritage sites because of a lack of investment. Penone’s simple but striking work, Leaves of Stone, is therefore a significant one.

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