Best wines to drink in 2021
Matthew Jukes gives his verdict on which bottles to enjoy this year
Matthew Jukes, a winner of the International Wine and Spirit Competition’s Communicator of the Year Trophy, picks out the best wines you should be tasting in 2021. He has been the MoneyWeek wine correspondent since 2006 and his four highly-acclaimed, annual wine reports, Bordeaux, Burgundy, Piemonte and 100 Best Australian Wines are published on his website matthewjukes.com.
These reviews were originally published in MoneyWeek
2015 Birba, La Gerla, Tuscany, Italy
Three stunning Italian reds
Robbie Toothill is a wine buyer at Lay & Wheeler and his palate is impeccable. Here are three stunning Italian reds that Robbie has unearthed, two of which I know well and one which is a brand-new find. My advice is to mix a case and treat your palate to these extraordinarily delicious and competitively priced wines.
In order, from the “lightest” to the “heaviest”, first up is the 2017 Vino Nobile di Montepulciano Boscarelli (£20.68), a smooth, seamless sangiovese with little or no tannin and a snap of keen acidity on its finish. It is a cranberry- and sour-cherry-soaked fellow that is eminently gluggable as well as being effortlessly classy. Second is my featured Birba, which means “little rascal” in the local dialect. Made by a fabulous Brunello di Montalcino producer, this is a seriously plush, spicy, ripe and oaky wine that is every inch a Super-Tuscan – superbly luxurious and immensely impressive. If it wore a £50 price tag I wouldn’t have blinked. “Little rascal” should be renamed “big beauty”!
Finally, the 2016 Arte Langhe Rosso Domenico Clerico (£24.28) is made by an elite Piemonte estate and this nebbiolo and barbera blend is impactful, stuffed with glamorous black-fruit tones and oodles of attitude. Just starting to drink well and with another ten years in the tank, this is another heroic discovery. Tre applausi!
2014 Clos Sainte Anne, Côtes de Bordeaux, France
Five superb clarets drinking now
I am writing this column surrounded by sample bottles from the finest Bordeaux châteaux – Mouton Rothschild to my right, Haut Brion to my left, and rows upon rows of famous names as well as lesser-known estates in between. It is the “en primeur” time of year and wine merchants and commentators alike are wading through hundreds of 2020 vintages to give wine collectors their thoughts on whether it’s worth buying a few cases of these vinous futures for investment or simply to drink with their friends. By the time this column is published I will have uploaded legions of notes, free to view, on my website, so please take a look – 2020 is a patchy vintage that needs careful guidance.
But while none of these wines will be drinking for years, I thought you might need to slake your thirst on some great clarets that are drinking right now, and are fabulous value for money and amazingly accurate, too. Clos Sainte Anne is utterly delicious, superbly suave, balanced and bright, and it is a thrilling bargain. While you are at it, grab the following Châteaux from HH&C, too: 2018 Les Reuilles (£10.40) is a fabulous, all-purpose “house claret”; 2018 Garras (£13.50) is a mineral-soaked, violet-tinged beauty from Cadillac; 2018 Haut-Vigneau (£21.40) is a plush Pessac-Léognan brimming with purity and élan; and, finally, 2012 Baron de Brane (£33.75) is a sensual and sensational second wine from a famous Margaux property.
2019 Benedict White, Dveri Pax, Slovenia
A stunning Alpine white
The Wine Society sent over a case of tasting samples the other day entitled “Alpine Wines”. I was delighted to reacquaint myself with an old favourite of mine, 2020 Chignin Vers les Alpes Jean-François Quénard (£10.95), in this box of goodies. I first tasted the wines from Quénard some 30 years ago and I have never forgotten the shiver down my spine brought on by the racy, rapier-sharp Jacquère grape variety. The new 2020 vintage arrives in the country and it is as bright and steely as any wine I have tasted from this famous Juran estate. As the weather warms up and we search for electrifying dry whites to challenge our senses, this wine seems like the perfect antidote to oceans of samey sauvignon blanc.
I was expecting the Chignin to perform at the highest level too, but I was flabbergasted by my featured white wine. With identical vital statistics to the rapier-sharp Jacquère, this exquisite Slovenian white is made from an inspired blend of pinot grigio, furmint and riesling. The Benedictine monks from Admont Abbey, across the border from Graz in Austria, have been producing wine in today’s Slovenia since 1139. Winemaker Danilo Flakus has taken the reins of the elite Austrian estate FX Pichler and this wine continues its tradition of making excellent wines. I urge you to taste these two stunning “Alpine” whites.
2013 Castelnau de Suduiraut, Sauternes, Bordeaux, France
A thoroughly delicious sweetie from Bordeaux
One of the first truly fine wines that I ever tasted, back in 1987, was 1983 Château Suduiraut, and one of the most memorable was the 1899 vintage I tasted a few years later. This estate has always been one of my favourite sweet-wine properties. The other day I had the great pleasure of Zooming with Suduiraut’s technical director, Pierre Montégut. We chatted about the dry white project here and we tasted the soon to be released 2020 Blanc Sec de Suduiraut. A plush vintage, this is a seriously attractive, dry wine that should certainly help to introduce yet more people to this epic estate.
But it is the sweet wines that rock my boat and, alongside the stellar 2010 Château Suduiraut (£55, vinatis.co.uk), which is drinking perfectly now, we also looked at the “second label” Castelnau. I was delighted to hear that the fully mature 2013 vintage is alive and kicking in our market and so it is my featured wine this week.
The 2013 was a difficult vintage, but it was also a very good one You have both botrytis (noble rot) and also passerillage (dried grapes) notes in this heady sweetie and, alongside the juicy, honeyed, orange-blossom theme, there is neat acidity balancing the 148g/litre sugar. This is a thoroughly delicious wine and I am certain that this cheeky half bottle will make you fall for this property, too.
£14.99, half bottle, reduced to £12.99 each in a “mix six”, majestic.co.uk; £15.50, exelwines.co.uk; £16.87, strictlywine.co.uk; £16.80, shelvedwine.com; £16.95, fintrywines.co.uk; £17.77, winepoole.co.uk; £17.99, handford.net.
2019 Howard’s Folly, Sonhador Branco, Alentejo, Portugal
A far from foolish vinous venture
The Howard in question is Howard Bilton, an ebullient Yorkshireman with a deep love of great wine and fine art. The Folly part is a warning to anyone who is not aware that making wine is never a very good idea if you are hoping to make profits! Nevertheless, Howard has set up a stunning winery and restaurant in the pretty town of Estremoz, in the Alentejo region of Portugal, where he makes delicious wines with arty labels under the guidance of his talented and highly decorated winemaker David Baverstock. Please do also take a look at the Sovereign Art Foundation to see the amazing charity that Howard set up nearly 20 years ago and the great work it does for disadvantaged children living in Asia.
Howard’s Folly brings wine and art together and my featured wine is Howard’s most accomplished white to date – and the label is jolly cute, too. Made from ancient vines, with no less than ten indigenous varieties in the mix, and coming from smallholdings situated in the high altitude Portalegre district of Portugal, this is a vinous snapshot of the country’s history like no other.
Kaleidoscopically perfumed, finely balanced and with careful oak augmentation adding drama, this is one of the most arresting Portuguese whites I have ever tasted.
2019 Château Climens, Asphodèle, Grand Vin Blanc Sec, Bordeaux, France
High praise for this graceful, ethereal semillon
Climens’s owner Bérénice Lurton makes some of the greatest sweet wines in the world, but her illustrious property had never made dry whites until recently. In 2018 she launched a dry white wine named Asphodèle, after the delicate, wild lilies which grow in the chalky soils on the estate. Biodynamically certified since 2014, this 100% semillon wine is unlike anything I have tasted and the 2019 vintage is a gem.
Semillon as a monovarietal dry wine is, arguably, at its finest in select cuvées from the Hunter Valley in New South Wales, Australia. Wineries such as Tyrrell’s, Mount Pleasant and Brokenwood make celestial creations with naturally low alcohol and little oak intervention. They start life water white and then age like clockwork for two or more decades.
Most dry white Bordeaux employ the services of sauvignon blanc alongside semillon in the blend and oak during maturation – when I heard that Bérénice’s wine was a pure semillon with no oak used whatsoever, I was extremely excited. This is one of the most graceful, ethereal and delicious French semillons I have tasted. It is silky-smooth, cucumber-tinged and extraordinarily pretty on both the nose and palate. It might seem an odd observation, but this wine does not taste like a Bordeaux interpretation of a Loire style of white wine, but a French version of an elite Hunter semillon. This is the highest praise I can offer.
2017 Reyneke Organic, Cornerstone, Polkadraai Hills, Stellenbosch, South Africa
Ancient wisdom makes for better wines
The first time I met Johan Reyneke, nearly 20 years ago, his beaming smile, firm handshake and scintillating wines marked him as someone at peace with his confident, ethical and holistic stance on both farming his land and making his beautiful wines. Johan embodies the spirit of biodynamic farming like no one else I have met. As he wisely noted, “Some people dismiss it as old-fashioned nostalgia, but we like to think of it as ancient wisdom. And we embrace it as much as we can. Not just because it’s better for the earth, but because it makes for better wine.”
Johan’s entire portfolio is a joy to behold and somewhere in the middle of the pack sits this extraordinary Cornerstone, which is not only a stunning “claret-shaped” red, but also a wine the proceeds of which help farmworkers and their families with education, housing and retirement annuities. Made from 54% cabernet sauvignon, 32% cabernet franc and 14% merlot, and maturing for 18 months in French oak barrels, of which 30% are new and 70% are second and third-ﬁll barriques, this is a stunning creation. What makes it so attractive is that it is reaching its peak of maturity and the complexity of the fruit, underpinned by the precise location of these extremely content vines, makes for magnificent honesty and integrity on the palate. It is as accurate as any wine I have tasted.
2019 Restless River, Le Luc Pinot Noir, Upper Hemel-en-Aarde Valley, South Africa
A world-class pinot from South Africa
I wrote about winemaker Craig Wessels’ extraordinary 2013 Restless River Chardonnay back in September 2016. In my eyes, it was the wine that turned this estate from a new kid on the block, like so many cool brands in the fast-moving South African wine scene, into an estate worth hunting down at all times on all restaurant menus and in all wine shops.
The vineyards were planted back in 1999 and the vines are certainly finding their feet in this idyllic setting at 360-metre altitude, some three miles from the chilly South Atlantic Ocean. Famous for making stalwart cabernet and mind-blowing chardonnay, Craig planted his pinot noir vines in 2013 and this is his finest release to date. Having said this, and please bear in mind that the vines are still only babies, this is one of my favourite Cape pinots of all time. Goodness knows what will happen when these vines mature, driving their roots deeper into the soil, and Craig has even more experience playing with his stellar fruit, but I would urge you to do all you can to taste this wine.
Swig and MoneyWeek are old friends and so all of our readers have been given a special deal. At £39 this is a vitally important world-class pinot that should be opened and assessed by everyone as obsessed with this stellar red grape as I am.
£45, reduced to £39 for MoneyWeek readers, swig.co.uk - use voucher code RESTLESS0221
2019 Bolgheri Rosso, Grattamacco, Tuscany, Italy
A true Super-Tuscan blend at a fraction of the usual price
The great red wines of Bolgheri, situated around the village of Castagneto Carducci on the Livorno coast, qualify as rare but wholly indulgent guilty pleasures. Absurdly expensive, ridiculously hedonistic and uncommonly luxurious, iconic labels Ornellaia and Sassicaia bounce around the £200-mark and noted vintages sky-rocket from there. There are two properties in this region that allow you to side-step the fiscal stress afforded by the aforementioned superstars – Tenuta Sette Cieli (from swig.co.uk), which is standing on the brink of stardom, as its name suggests, and my featured Grattamacco.
Sette Cieli’s wines are high-altitude, chiselled, age-worthy and mesmerising, made with uncompromising standards, and I am a huge fan. They are also stunning value, in particular Indaco. Grattamacco’s releases come from the more fertile soils, halfway down the hill from Sette Cieli, closer to the Med, and this setting brings with it plushness, opulence and early-drinking joy. Made from 50% cabernet sauvignon, 20% cabernet franc, 20% merlot and 10% sangiovese, this is a true Super-Tuscan blend and it is baffling just how approachable and delicious the wine is already. It bursts with heady, black fruit and discreet herb and spice notes. The oak, alcohol and tannin all sit in the background giving This stunning value red bursts gives a truly classy Bolgheri experience at around a tenth of the price of the big guns. £26.95, bbr.com; £24.50, decvin.com
2011 Squerryes, Brut (Late Disgorged 2020), Exclusive Vintage Reserve, Sevenoaks, Kent
An incredible English vintage
I am a fan of Squerryes wines, although I don’t taste them as often as I would like because they tend to keep a low profile. I have previously written up both the 2010 and 2013 vintages, five and four years ago respectively, in my column in the Daily Mail, and more recently I have tasted the 2014, 2015 and 2016 vintages. All are very nice wines, and they seem cut from the same, fine cloth, but there has been a gradual evolution in their sophistication as the years roll by and this is evidenced in their depth and length of flavour. I put this down to vine age, as the roots search deeper and gather more complexity to embolden the fruit at harvest time.
When I opened my featured wine, however, my whole understanding of Squerryes changed. Where I had been previously experiencing taut, unyielding acidity coupled with the infinitesimal blossoming of fruit tones, this late disgorged wine, which has spent nine years on its lees before release, is downright spectacular. It is smooth, succulent, layered and luxurious – a completely different beast to the regular vintage releases. You must seek it out to experience this incredible flavour. Winemakers and estates will of course be familiar with the concept of extended lees ageing (and the cost of holding back wines for years before release). But when the results are this epic, the agonising wait for vines to come to maturity is well worth it.
2018 Valpolicella Ripasso, Classico Superiore, Monte Santoccio, Verona, Italy
A simply astounding ripasso
I have written up a detailed review of the extraordinary portfolio of Monte Santoccio wines on my website, including a preview of a wine never before seen on our shores, the 2013 Amarone della Valpolicella, Classico Black Label, and they are all extraordinary creations. I have chosen to focus this week’s column on the ripasso in the range as the value for money afforded here is astounding.
Winemaker Nicola Ferrari was formerly an assistant to the legendary Valpolicella producer Giuseppe Quintarelli, and he and his wife Laura now make their wines from four hectares of organically farmed vines in Fumane. Their wines are as honest and accurate as any I have tasted from this region and yet there is fascinating detail to be found behind every label. Uncommon restraint and calm balanced by grand, layered, enticing and refreshing flavours – this is the Ferrari signature and you will find it on every bottle, from those costing £17.95 up to the £75 ones. This ripasso will act as your ambassador to the range and, given its astounding flavour and the keen price, I am sure you will rejoice when you meet it.
There is an extra dimension of flair and richness at the heart of this red that is truly sensational. Many wines of this style carry extra weight and darker fruit tones, but this elite version parades glorious red fruit and uncommon succulence.
2019 Château de Bousval, Gouttes d’O Chardonnay, Bousval, Jardins de Wallonie, Belgium
An enchanting chardonnay from Belgium
Early one evening, just before Christmas, the doorbell rang and a voice shouted out “wine delivery”. This is nothing new – it happens ten times a day – but I thought I recognised the voice. The cycle courier turned out to be none other than Jim Eustace, MD and fine-wine guru at Haynes Hanson & Clark. Soaking wet, but grinning from ear to ear, he was clutching two bottles of white each with a dribble of wine left inside. He handed them over and then sped off, shouting, “Happy Tasting, they are from Belgium!”.
Until that evening, I had never tasted Belgian wine. After a quick search on the internet, I found that Château de Bousval is situated only a few miles south of Waterloo, where I spent a few years at school when I was a child. This wine is a biodynamically farmed, pin-sharp, pristine chardonnay, and it is absolutely enchanting! Delicate, haunting, packed with vitality and verve, and only tipping the scales at 12% alcohol, this is a rare beauty and it even manages to hide a whisper of oak in its core, too. This is effortlessly classy winemaking from an unexpected postcode and so when the stock arrived in the UK last week I had to sing about it.
While you are at it, pick up its sibling, 2019 Le Petit Gris Pinot Gris (£40.95 a bottle/£36.40 each by the case), which takes this oft-dreary grape to a fascinating destination. What a pair, what a find!
2019 Jules Taylor, Pinot Noir, Marlborough, New Zealand
A quartet of remarkable kiwis
Jules Taylor is a prodigiously talented winemaker and she has just celebrated her 20th year making her eponymous portfolio of wines. I have followed her every step of the way, yet she has never released a set of bottles like the quartet featured in this article, which have just arrived on our shores.
Leading with the remarkable pinot noir (details above), which is so keenly priced it makes all but a handful of pinots in the world look embarrassed, this is a dark-hued and extraordinarily resonant wine. The nose is sensational, with Auxey-Duresses and Monthélie allure, and this sonorous call to arms is followed by admirable restraint on the palate coupled with hints of earth and spice. This is a brilliant wine and one which should be in everyone’s cellar given its fruit purity, freshness and thrilling balance.
While you are ordering the pinot noir, load up with 2020 Jules Taylor Pinot Gris (£16.50) – a smooth, tangy, toned and hauntingly refreshing version of this oft-dowdy and dilute white grape. The 2020 Jules Taylor Sauvignon Blanc (£14.95) also bears Jules’ trademark delicacy and control, with sleek, lean, citrus fruit, yet with none of the pushy, tropical fruit flavours which make so many Marlborough versions fall flat. Finally, 2019 Jules Taylor Chardonnay (£16.50) is showy, silky, layered and enticing, and yet it still manages to bring vivacity and brisk acidity to the fore in its long finish. Every one of these wines is drinking now, too, so don’t delay.
2019 Westwell Ortega & Ortega Amphora, North Downs, Kent
A pair of English beauties
I have taken to calling in vast numbers of bottles to my home because the interminable lockdowns have made wine tastings impossible. Although this is somewhat of a logistical pain, the mountains of recycling are worth it when I come across wines as beautiful as my featured pair.
Hidden in a sea of English wine samples were two of the most beautiful labels in our land, on wines made from the little-known ortega grape. Developed in 1948 by crossing Müller-Thurgau and siegerrebe, this white variety has spread from its homeland in the Pfalz and Mosel regions of Germany to other cool-climate wine-growing countries, such as England and Canada. It is not as starry a variety as chardonnay, or even bacchus for that matter, but I adore top-flight versions of this grape and Westwell is a master at bringing out its incandescent beauty.
With delicate peachy notes, hints of mandarin peel and rhubarb stalks, this is a bone-dry and yet all-consuming wine with bracing acidity and stunning poise. Owner/winemaker Adrian Pike learned his craft from Will Davenport (a favourite winemaker of mine) and he has an artist’s touch with this grape.
In addition to my headline stunner, Adrian’s 2019 Westwell Ortega Amphora (£25) is fermented and aged in terracotta amphorae made by the Artenova pottery in Florence. There is heady fruit here coupled with raucous traction on the palate and this raspy, faintly masochistic sensation is nothing short of electrifying. Seek these wines out because they are like nothing you will have ever tasted before.
2018 De Loach, Russian River Valley Chardonnay, Sonoma County, California
A top-flight Californian chardonnay
The problem with tastings on Zoom and YouTube interviews is that there is nowhere to hide when you are asked to tell the audience your thoughts about a wine, particularly if you haven’t tasted it before. I always “say what I see” and this doesn’t always go down well! On a recent JCB LIVE interview with flamboyant wine magnate Jean-Charles Boisset I was put on the spot with one of his wines. Thank goodness it was stunning! In fact, it was so good that it leapt straight onto this page today.
Of course one has to be prepared for a full-framed style when dealing with Californian chardonnay, so I was impressed to see that under the expressive, cool-climate, Russian River-influenced fruit there is a beating heart of refreshing acidity, which electrifies this dynamic wine. Made from a blend of fruit from three vineyards, each with their specific microclimates, this is a seriously fascinating new release and I was fully prepared for a £50 price tag.
So, if you are searching for a top-flight Californian chardonnay that doesn’t cost the earth then here it is, and if anyone puts you on the spot, I can assure you that you have nothing to worry about!
2017 Rully Blanc, Monopole Clos Folie, Domaine de la Folie, Burgundy, France
Two sensational whites drinking now
I have written-up recent 2019 Burgundy En Primeur findings in various posts on my website, but we all need beauties to drink now while we are waiting for young wines to mellow. I have a pair of exquisite whites from two world-famous estates and they are both eminently affordable and drinking now.
Folie’s history dates back 300 years, but the recent renaissance at this Domaine is thanks to Clémence and Baptiste Dubrulle. It was Clémence’s grandfather who made the wines famous in the Sixties and Seventies and, after a prolonged slump, they are back to stellar form. This single-vineyard creation is sensational. Planted with 40-year-old vines, this north-northeast, clay and limestone monopole is regarded as one of the finest chardonnay vineyards in the Côte Chalonnaise. With no oak in the mix, this is a pristine wine with white flowers on the nose and a racy, citrus palate.
My second choice is a hugely stylish piece of artistic winemaking: the 2017 Bourgogne Blanc Bachelet-Monnot (£19.18) bears the indelible signature of brothers Marc and Alexandre Bachelet. This is a tremendous wine with a flavour that could easily command twice the price. Layered, sexy, louche and memorable, it is the perfect counterpoint to the more straight-laced Foli.
2019 Timorasso Piccolo Derthona, Colli Tortonesi, La Spinetta, Piemonte, Italy
An absolute diva from Piemonte
Superstar winemaker Giorgio Rivetti is most famous for his trio of masterful Piemonte reds, Barbarescos Gallina, Starderi and Valeirano. He has ventured south to Tuscany, too, where his rich, layered, oak-soaked style of red winemaking works well with his various “Super-Tuscan” incarnations. But his most remarkable recent release is, shock-horror, a white wine, and it comes from the little-known Colli Tortonesi region of Piemonte. Situated some 50 miles to the east of Alba, the wines from the hills to the east of the town of Tortona are starting to register on curious, wine-geek palates.
Best-known for producing workman-like versions of the red grape barbera, it is the super-rare, indigenous white grape timorasso that has shone a spotlight on this region. I always seek out examples of timorasso when I tour Piemonte, but I have never tasted one as spellbinding as this. There are no tricks whatsoever in the winemaking, just a discreet period of lees contact and then it is bottled without delay. Fresh onto our shelves, this is one of the most beguiling wines of the moment. With a flavour silhouette reminiscent of a Premier Cru Chablis, but with more exoticism of stone fruit and honeysuckle on the nose and a fleshier mid-palate, this is an absolute diva of a wine and the value, given its illustrious heritage, is staggering.
2019 Zwillingslauser, Grüner Veltliner, Winzerhof Sax, Kamptal, Austria
A perky Austrian white with style and panache
Grüner veltliner is a fabulous white grape and many of us are familiar with its charms. Not long ago you could only find this cheeky grape on trips to Austria, but nowadays most supermarkets stock budget versions and it is fair to say that they rarely let you down if you are after competently made, dry, perky white wines with a little more flavour intrigue than your average sauvignon blanc or chenin blanc.
If you climb to the top of the grüner ladder the wines are often rich and heady and, although gastronomically and intellectually challenging, they are not particularly refreshing. In between the £8 high-street offerings and Hirtzberger (my favourite estate) at around the £40-mark, there are hundreds of largely unfamiliar estates making useful wines. This week, I have found a relatively inexpensive grüner for you with a tremendous amount of character and flair.
Zwillingslauser translates as naughty twins, and twins Max and Rudolph Sax are the winemakers behind this delicious wine. Theirs has been a family business since 1660 and it’s fair to say that there is no shortage of experience here so I urge you to seek out this rewarding wine. Smooth, pure, layered and silky, the pear and apple theme is balanced perfectly by zesty acidity. It will shock you with its style and panache.
2018 Kelly Washington, Pinot Noir, Central Otago, New Zealand
An insanely delicious Kiwi interloper
Tamra Kelly-Washington is a gifted winemaker and one who goes the extra mile for every one of her carefully crafted wines. Highly experienced, having worked to great acclaim in both Europe and also her homeland of New Zealand, she consults for Michael Seresin’s wines in Marlborough and is responsible for giving his portfolio an exquisite, new lease of life. She also works with her husband, Simon, on their family wine label, and this newly released pinot will show you, in just one sip, why she is a force to be reckoned with and a name to follow very closely.
The grapes are sourced from the Monte Rosa vineyard in my favourite sub-region of Central Otago, Gibbston. The wines from this part of Otago are particularly fragrant and graceful, and in slightly warmer vintages they summon up marvellous, stylish juiciness. In 2018, Tamra used 20% whole bunches to bring enviable spice and tension to this silky red, and with 28% new French oak used for 11 months, there is an underlying classiness and flamboyance which echoes the elevated level of ripeness found in this vintage. This is a perfect example of a winemaker using sensitivity, taste and experience to exactly match the terrific calibre of her pinot fruit to the precise recipe needed to create an insanely delicious wine.
Drinking well already, and with a rather chaotic 2019 Burgundy En Primeur circus going on around us this month, find solace in this Kiwi interloper.