In Depth

Best new TV crime dramas of 2022 – and older shows to watch

Trigger Point, The Responder and Hidden Assets are on the must-binge list


Trigger Point 

Vicky McClure and Adrian Lester star in this new police drama on ITV. Full of bomb factories and banter, Trigger Point is “utterly preposterous” but “what a blast”, said Lucy Mangan in The Guardian. “Just go in thinking CSI: Peckham or Line of Bomb Duty and you’ll have a great time.”

From the makers of Line of Duty, Jed Mercurio’s fingerprints are “all over this explosive new thriller”, said Anita Singh in The Daily Telegraph. But despite the “identikit casting”, this turns out to be a different show.

Mercurio “specialises in stunning plot twists”, said Christopher Stevens in the Daily Mail. “No spoilers for anyone who hasn’t seen it yet, but episode one ends with an eye-popper.”


The Responder

The BBC’s new original show is billed as a “distinctive new take” on crime drama, said the Liverpool Echo. Written by Tony Schumacher, a former Merseyside Police officer, The Responder highlights “life on the front line” of Liverpool’s streets. 

Martin Freeman stars as “crisis-stricken, morally compromised” urgent response officer Chris Carson who works night shifts in and around Liverpool, said Stylist. The series follows Carson over the course of five shifts, at a time when he’s struggling “both personally and professionally”.


Hidden Assets BBC

Hidden Assets

Line of Duty meets The Bridge in this promising Irish drama, said Rachael Sigee in The i Paper. Forget AC-12, this complex crime series introduces Ireland’s CAB – the Criminal Assets Bureau. 

Hidden Assets is a co-production between Irish company RTE and its counterparts in Belgium and Canada, the Belfast News Letter reported. After making its debut on Irish TV last year, the hit show “went down a storm with viewers who were kept on the edge of their seats throughout its six-part run”. 

Angeline Ball heads the cast and she is “very much front and centre”. She describes the TV show as being “quite Scandi-noir”, so it “should fit nicely into BBC Four’s Saturday evening slot”, the Belfast News Letter said. 


The Tourist 

Fifty Shades star Jamie Dornan is “explosive” in his action-packed role as “The Man”, said Lucy Mangan in The Guardian. This outback thriller from the writers of The Missing is a “fun, stylish and confident caper” which is well worth watching. 

The Tourist “has gone down a treat with viewers”, many of whom binged the BBC crime drama, said the Daily Express. As a result, the six-episode series “helped break BBC iPlayer streaming records with its impressive viewership.”


Four Lives

In the BBC’s factual drama Four Lives, Stephen Merchant transforms into real-life serial killer Stephen Port, Entertainment Daily said. The series tells the story of the horrifying case from the perspective of the families of Port’s four victims and their fight for justice. 

If Merchant is “a convincing villain”, then co-star Sheridan Smith is “an equally believable hero campaigning for justice in this real-life case”, The Independent said. After A Very British Scandal and The Tourist, someone at the BBC “has had their Weetabix”, as this drama is another “that’s hard to take your eyes off”. 



Landscapers “shouldn’t work”, said Barbara Ellen in The Observer. Sky Atlantic’s four-part drama is pretentious, wayward, hyper-conceptual; it breaks all the rules of true crime, “including the good ones”. And yet it’s also extraordinary and disquieting; “television as art”.

Olivia Colman and David Thewlis star as real-life couple Susan and Christopher Edwards, the “Mansfield murderers” who, in 1998, killed Susan’s parents and buried them in a garden. They then used their money to buy celebrity memorabilia, while spinning a web of lies explaining their disappearance. We meet the killers in France, where they’re on the run. Their cocoon seems on the verge of shattering, and it does. The show then becomes a “writhing screen-Hydra” of techniques and moods, from black-and-white court scenes to a Western sequence. 

Without the anchorage of the two leads, it could have turned into “so much experimental shrapnel”; with it, it is “mesmeric and audacious”. Still, it does feel rather “off”, said Carol Midgley in The Times. The bodies of the elderly couple were found only eight years ago; if I were related to them, “I’d be furious” that their death is being served up as entertainment. 

On the other hand, I have to admit this is “one of the most original dramas I’ve seen in years”. Colman and Thewlis make a “Barbour-clad Bonnie and Clyde”, said Ed Cumming in The Independent, but the real hero is director Will Sharpe, who has managed to turn a “grim” murder story into a comedy, a love story, and even “a celebration of English eccentricity”.


You Don’t Know Me 

Tense new BBC crime show about a young South Londoner charged with murder. Pleading innocence, he sacks his barrister to tell his own story. In this courtroom drama “the audience gets to be the jury”, said Rebecca Nicholson in The Guardian. “Hopefully the members of the jury, including those at home, will have the patience to see it through.”

Adapted from a novel by Imran Mahmood, You Don’t Know Me stars Samuel Adewunmi as the accused, known only as “Hero”. The whole thing revolves around Adewunmi, who is in practically every scene, “walking the line between trustworthy and suspicious”, said Ed Cumming in The Independent. It is “testament to his warm, canny star performance” that we keep guessing. “Guilty or not”, this Hero makes a “very plausible case”.



Jimmy McGovern’s three-part BBC prison drama Time is “just about perfect”, said Hugo Rifkind in The Times. It stars Sean Bean as a middle-class teacher, Mark, jailed for causing a death through drink driving, and Stephen Graham as a prison guard, Eric. Mark is an older man guilt-stricken about his crime, and is “immediately clocked as a victim by vicious young inmate bullies”; Eric is a decent person coerced into bringing in drugs by a gang. A common theme unites their stories and a handful of equally “deft” subplots: how is it possible “to atone for past inhumanity” in a system that “perpetuates inhumanity anew”? The acting is superb, said Lucy Mangan in The Guardian, and the drama becomes more moving and “enraging” at every turn. “Time well spent.” 



Showtrial starts, of course, with a murder: Hannah (Abra Thompson) is a student, found dead after a ball in Bristol. Chief among the suspects is her ex-friend Talitha Campbell (Celine Buckens) – rich, arrogant and “deeply unpleasant to everyone she meets”, said Alison Rowat in The Herald.

I thought it was “great”, said Hugo Rifkind in The Times. Away from the students, much of the drama concerns technical wranglings between the police and the Crown Prosecution Service; there’s also an abuse storyline and a “grief subplot” centring on the victim’s mother. All these strands could have stood alone, but here they are “twisted together”. It’s Buckens, though, who steals the show, turning in a mesmerising performance “right on the edge of ham” as a rich kid with emerald nails “clearly destined to break”. 



The BBC brought out the big guns for this submarine-set drama: Martin Compston (AKA Line of Duty’s Steve Arnott), Doctor Foster’s Suranne Jones, Connor Swindells (best known for playing Adam in Sex Education) and Downton Abbey’s Rose Leslie are just a handful of the notable names in this gripping maritime crime series. Vigil is a “dense, sharply written” and “absolute treat of a show”, said The Guardian’s Lucy Mangan. “It’s one that viewers will surely want to dive into”.



The popular French language mystery thriller Lupin returned for a second series on Netflix. Inspired by the adventures of Arsène Lupin, gentleman thief Assane Diop (played by Omar Sy) sets out to avenge his father for an injustice inflicted by the wealthy Hubert Pellegrini. Created by the British writer George Kay, the first series was one of the most successful ever on Netflix and if you haven’t streamed it yet then “you’re seriously missing out”, said Lauren Morris of Radio Times. “An exciting, gripping and action-filled heist caper featuring a terrific performance from Sy, Lupin is guaranteed to steal your heart.”


Mare of Easttown

Kate Winslet is mesmerising in the new HBO crime drama Mare of Easttown, said Carol Midgley in The Times. Make-up-free and “permanently sour-faced”, she plays Mare Sheehan, an “unhappy, junk-food-eating” detective in a small Pennsylvania town that “reeks of poverty and dead ends”. At the outset, she’s working on the case of a 19-year-old woman who disappeared a year ago. And then the body of another teenager, a young mother, is found.

Written by Pennsylvania native Brad Ingelsby, this is “a perfectly conjured study of a community”, said Lucy Mangan in The Guardian, focusing as much on how the locals endure these terrible events as on the process of finding the culprits. Everything and everyone feels “real”, and you care about “every tiny part” – not least Mare’s new relationship with an author and college lecturer, played by Guy Pearce, whom she picks up in a bar. The series reminded me of BBC One’s Happy Valley, said Anita Singh in The Daily Telegraph, but I didn’t think it was in the same league as that top-notch drama. Still, the plot – which is too slow to start – does get going, and Winslet aces a role that could have seemed clichéd in less skilled hands.


Line of Duty (series six)

Trainspotting’s Kelly Macdonald joins the Line of Duty cast for series six of Line of Duty. Macdonald plays DCI Joanne Davidson, a “senior investigating officer of an unsolved murder, whose unconventional conduct raises suspicions at AC-12”. Martin Compston (DS Steve Arnott), Vicky McClure (DS Kate Fleming) and Adrian Dunbar (Superintendent Ted Hastings) reprise their roles as the key investigators.



This two-hour ITV adaptation of Peter James’s bestselling crime novel is “full of immensely satisfying action”, plus there’s a “star lead performance” from John Simm, said The Guardian’s Lucy Mangan. Brighton-based Detective Superintendent Roy Grace (played by Simm) is a hard-working police officer who has given his life to the job and has to investigate the disappearance of a property developer who goes missing after his stag do goes wrong. Grace is a “cut above the average detective drama”, said The Independent’s Ed Cumming.



The lives of the people of Allende, a Mexican border town, are overtaken by a powerful cartel’s operations, leading to tragedy. Inspired by true events, Somos “flips the script on brutal cartel crime epics”, said The Guardian’s Jack Seale. This Netflix drama “centres on the people who are usually peripheral casualties in crime shows like Narcos - the residents of Allende, who were all killed in a horrific real-life massacre”.


Before We Die

In this high-octane six-part drama series Lesley Sharp stars as Hannah Laing, a senior police detective who is forced to make a terrible decision as her son, Christian (Patrick Gibson) goes off the rails. With their relationship seemingly beyond repair, Hannah gets a chance at redemption when Christian becomes caught up in the investigation into the brutal murder of one of Hannah’s colleagues and their paths cross again in unexpected circumstances.



From the close-up of a knife plunging into a piece of meat at a dinner party, the plot of Intruder was “signposted like a golf sale”, said Victoria Segal in The Sunday Times. It stars Elaine Cassidy as Rebecca, a journalist whose husband Sam (Tom Meeten) stabs a burglar in the back during a break-in at their seaside house. It’s an “intriguing” opening, but things spiral into absurdity when Rebecca takes responsibility for the killing, and tries to pass it off as self-defence. Her friend Angela (Helen Behan), who is having an affair with Sam, then turns into a Fatal Attraction-style liability – whereupon Rebecca forges an alliance with the local drugs kingpin. Sally Lindsay is stuck in the middle of it all, playing an honest copper.


Your Honor 

Breaking Bad’s Bryan Cranston stars as a New Orleans judge forced to confront his own convictions when his son is involved in a hit and run. The ten episode mini-series from Showtime is “elegantly shot, with credible dialogue and a robust, well-made quality”, said The Independent. And Cranston is “back doing what he does best – playing the devoted parent”.


Who Killed Sara?

Released on 24 March on Netflix in the UK, this Mexican crime series has “gone down a hit with fans”, said the Daily Express. Starring Narcos’ Manolo Cardona, the story follows Álex Guzmán, who is hell-bent on exacting revenge and proving he was framed for his sister’s murder. He sets out to unearth much more than the crime’s real culprit. Fans of shows like Money Heist, Sky Rojo and Narcos should be excited about this murder mystery.


The Irregulars 

Set in Victorian London, the series follows a gang of troubled street teens who are manipulated into solving crimes for the sinister Doctor Watson and his mysterious business partner, the elusive Sherlock Holmes. As the crimes take on a horrifying supernatural edge and a dark power emerges, it’ll be up to the Irregulars to come together to save not only London but the entire world. The Irregulars “feels like Netflix threw every one of its originals into a blender”, said Cosmopolitan. The show “might not knock your socks off”, Empire adds, but it offers “more than enough intrigue to warrant hoovering up the show’s entire eight-episode run”.


The Investigation

This six-part Danish-language drama from Tobias Lindholm is a “radical take” on the true-crime genre, said The Independent. When 30-year-old Swedish journalist Kim Wall disappears, attention turns to a wealthy inventor and his private submarine. This feels like a “new direction for true crime”, said The Guardian, an “antidote of sorts to the showier serial killer documentaries that seem to be everywhere”.


The Flight Attendant

Summer came early to Sky One with the arrival of The Flight Attendant – a “lively” HBO thriller that’s “the TV equivalent of a beach read”, said Daniel Fienberg in The Hollywood Reporter. Kaley Cuoco stars as Cassie Bowden, the titular flight attendant and party girl, who flirts with a “scruffy-but rich” stranger (Michiel Huisman) on a red-eye to Bangkok, only to wake up the next morning, after an alcohol-induced blackout, in a hotel room, next to his bloody corpse. Panic-stricken, she cleans up as best she can and flees, but with the FBI, a mysterious flick-knife-toting villainess (Michelle Gomez) and sundry other dark forces on her tail, moving on from this does not prove easy.

Cassie Bowden is a “powerhouse” of a role, and watching Cuoco ace it is “absurdly pleasurable”, said Suzi Feay in the FT. Played for laughs at first, her vodka habit soon comes to seem as darkly troubling as the corpse itself, and the series cleverly uses her memory loss to confuse the timeline. Based on a novel by Chris Bohjalian, it is “pitch black”, but also “pulpy and surreal”, with real “comic spark”, said Caroline Framke in Variety. This is a series that you may find “hard to stop watching, even if you try”.



This “astute” thriller is a fine addition to the growing Irish noir genre, said Lucy Mangan in The Guardian. James Nesbitt stars as weary detective Tom Brannick, whose investigation into a kidnapping puts him on the trail of “Goliath” – the suspected killer of four people in the lead-up to the Good Friday Agreement. His superiors in the Northern Ireland police don’t want him reopening old wounds, but for Brannick it’s personal. The plot is dense, but enjoyably so, and there’s black humour mixed in to let it breathe.

BBC One’s four-part drama is written by Chris Brandon, said Anita Singh in The Daily Telegraph, but it has executive producer Jed Mercurio’s fingerprints all over it: “You don’t know whom to trust, none of the characters ever smile and senior detectives spend their time looking broodily out of windows.” Laced with clues and fine set pieces – among them a heart-thumping bomb-disposal scene – it adds up to a “jolting” thriller. Nesbitt eases into his role “like a favourite coat”, said Ed Cumming in The Independent, giving Brannick the “anguished, unforced humanity” of a decent man driven to distraction. The opening is sluggish, but this “ruggedly” realistic series soon hits its stride.



Nicola Walker and Sanjeev Bhaskar return as DCI Cassie Stuart and DI Sunny Khan for series four of Unforgotten on ITV. The main cast will be joined by Sheila Hancock (New Tricks), Susan Lynch (Killing Eve), Phaldut Sharma (EastEnders), Liz White (Life On Mars), Andy Nyman (Peaky Blinders), Clare Calbraith (Baptiste) and Lucy Speed (Marcella). The fourth series opens with the discovery of a dismembered body in a scrap metal yard, which the team believe has been stored in a domestic freezer for thirty years. Various clues lead to the victim being identified as Matthew Walsh, a young man in his mid-twenties who went missing in March 1990.



The “brash, expensive” eight-part crime drama ZeroZeroZero has arrived on British screens a year after it appeared in the US and Italy, said Ed Cumming in The Independent. Based on a novel by Gomorrah writer Roberto Saviano, its grand ambition is to explore the global cocaine trade by focusing on the suppliers in Mexico, the buyers in Italy, and the middlemen operating out of New Orleans. Packed with spectacular set pieces, it’s “about as subtle as an elephant loading a dishwasher” - and it makes for “exuberant”, if “bleak”, entertainment for “long February nights”.


The Serpent 

True-crime drama The Serpent helped give BBC iPlayer viewing figures a “dramatic boost” when it was released in the new year, said Digital Spy. It tells the disturbing real-life story of Charles Sobhraj, the chief suspect in a series of “grisly unsolved murders of attractive young female backpackers across Asia in the mid-1970s”, Dead Good reports. It could well be one of the “darkest crime dramas of the year”.


The Pembrokeshire Murders

This mini-series on ITV is about the cold-case pursuit of John Cooper - the most notorious serial killer in Welsh criminal history. Starring Luke Evans and Keith Allen, The Pembrokeshire Murders gives justice for the victims, who are central to the narrative. “It is sensitive when it needs to be, and never loses sight of who suffered,” said The Guardian’s Rebecca Nicholson.



Based on a story idea from best-selling crime writer Val McDermid, this six-part thriller stars Line of Duty’s Martin Compston. Set in Scotland, three women try to unearth the truth about an unsolved murder that’s very close to home. Traces is an “easy watch”, said The Arts Desk, but it has a bad habit of “spraying coincidences and startling revelations like machine-gun fire, as if it’s frantically crushing 12 episodes into six”.


Killing Eve

The psychopathic Villanelle, played by Jodie Comer, is typically flamboyant - and disconcertingly funny. Eve, with her marriage on the rocks, is cast back into the world of spying and assassins in the latest series, while Villanelle combines contract killing with a personal journey of her own. So popular is this show that the BBC brought forward its premier to keep viewers entertained during the coronavirus lockdown. You’ll hear very few complaints about that. The show “feels much like a new relationship”, said The Observer’s Brandon Katz. “It’s sexy and seductive, exciting and new.”


Deadwater Fell

Channel 4’s Deadwater Fell is “basically Broadchurch in Scotland”, said Lucy Mangan in The Guardian. “David Tennant is a doctor rather than a policeman, and at the centre of a crime rather than investigating it, and he’s letting his freckles show, but switch your mind to its Broadchurch setting and you will not be disappointed,” said Mangan. The actor plays Tom, whose wife and three children die in a house fire but it soon becomes apparent that all is not as it seems.


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